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AGADA (Hebrew: tale) is derived from the Hebrew song 'Japanese legend’, written by Ehud Menor and composed by Ariel Zilber. The poem describes a futile tragedy in which the evil nature of humanity is shown and works against sublime of love. The last stanza of the poem can be interpreted as the world's response to malice, implying the indifference of the human race to the world's injustices. The score of the piece is built to destroy itself, so the way the piece ends is never predeterminant. 

The creative process reveals a dialogue between one body/imagination and others through interaction, reaction and fantasy.

"The whole world is silence; the whole world is wild." 

That's how the song ends.

Dancers - Raz Mantell, Jin Lee, Ariel Hayun, Ruby Frances Jones and Susanna Ylikoski

Dramaturgy - Zuki Ringart

Music editing - Roi Becker 


The piece is a concerto for two soloists - a dancer and a drummer.  focuses on two relationships at the same time: the relationship between dance and drums and the relationship between dance and conduction.  

As in any concerto, the orchestra accompanies the soloists and sometimes becomes the soloist itself.

Conducted and composed by Keren Kagarlitsky

Drums - Gal Hochberg

Symphonette Raanana תזמורת סימפונט רעננה 

"Goddesses farewell, I shall see the shade you became" 2022

The piece inspired by the prelude to “ Afternoon of a Faun". The work refers to the iconic references drawn from the poem of Stéphane Mallarmé, the music of the composer Claude Debussy, and the ballet of Nijinsky. The work celebrates nostalgia and history, instincts, sexuality, fantasy and breaks perceptions regarding the historical impact that Nijinsky's work from 1912 caused .

the nymphs and the fauns integrate into each other to celebrate passion, an imaginary landscape, an aesthetic world, a movement treasure that communicates

in spirit with the three works. 

Curtin Up Project 2022

Choreography - Rotem Weissman Dancers - Ella Gill, Ela Pollak, Ziv Besor and Amit Zaretsky

Original Music - Tai Rona

Rehearsal director - Melenie Barson


Choreography - Rotem Weisman

Dancers - Jin Lee, Susanna Ylikoski and Tamar Honig

BAUHAUS, a contemporary dance piece by an emerging Israeli choreographer Rotem Weissman, explores the desire and love of the body to move. This work celebrates the freedom and beauty of the moving body and conveys the love and passion for dance. The audience is invited to witness a unique creative world full of colour and imagination - a surprising and visceral journey through a rich landscape. The piece full of images and gestures that each one can interpret in a different and personal way. Behind them there is no story, but a movement that fits, feels right and excite.

Premiere -  "because the night" ARGEKULTUR, 27th June 2018  in Salzburg, Austria.

  December 2018 - Second prize in the international choreography competition – Machol Shalem, Jerusalem, Israel

Represented in PreformaceTag Festival Salzburg 16 of April 2019 

"Goddesses, farewell; I shall see the shade you became" 2019

Choreography – Rotem Weissman

Goddess, farewell; I shell see the shade you became is a contemporary dance piece Inspired by Prelude to the afternoon of a faun. From its genesis the piece has emerged as an appeal to the original piece of  Nijinsky, During the piece the roles are breaking ,the nymphs and the fauns blend into each other. The piece explores sexuality, desires, pleasures, urge and satisfaction. The references drawn from the poem of Stephane Mallarme, the music from Claude Debussy, Nijinsky's piece and the 3 Muses. 

Dancers - Jadwiga Mordarska , Barbara Eyassu-Vincze, Caterina Campo and Márton Gláser


Choreographer and dancer - Rotem Weissman 

Co- creator - Jin Lee

Vocal performer - Inbar Livne Bar - On



connected bodies

disconnected bodies

 The dancers represent live presence, while the smashed body expresses the truth, the reality. Broken down humanity mixed with fondness and attachment from which we all don’t feel excluded. It can create feeling of empathy that can lead to a revelation.

Yellow Poetry

Choreography – Rotem Weissman
Dancers – Yael Wachman\ Rotem Weissman, Máté Asbót\ Amit Landau and Tamar Honig

Co – Creator – Tamar Hoing 

Original music- Tai Rona 

Costume design  - Mali Aviv 

Contemporary dance piece that comes to challenge the human’s constant need for meaning. Through the arbitrary the work re-examines the concept of meaning and offers various possibilities to address it. The search for meaning within this piece will repeatedly encounter barriers and rebuttal until there is no choice but to devote oneself to the experience itself.


Gennadi, solo for Márton Gláser. 

the performer explores the desire to control and direct the audience with sensitive daily gestures. journey of invitations, commands, confusions mix with humour, listening and attention . 


Choreography - Rotem Weissman 
Dancers - Vivien Piti, Márton Gláser, Imola Kacsó and Máté Asbót

All the possible ways to fall

Choreography – Rotem Weissman 
Dancers – Sam Huczkowski, Jin lee, Stefano De Luca, Margareta Firinger, Chloé Lendormy, Alex Loftex Tesch and Susanna Ylikoski


Dancers: Amit Landau, Tamar Rosenzweig and Rotem Weissman

WORKS: Programs
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