CHOREOGRAPHIC WORKS

Pieces

A G A D A

AGADA  choreographed by Rotem Weissman for nein9 kollektiv. The work is derived from the Hebrew song “Agada Yapanit” (Japanese Fable), written by Ehud Manor and composed by Ariel Zilber in 1972. The song describes a pointless tragedy about blind ambition precipitating absurd and unnecessary violence, with an implication that this cycle is inevitable. 

Dancers - Raz Mantell, Jin Lee, Ariel Hayun, Ruby Frances Jones and Susanna Ylikoski

Dramaturgy - Zuki Ringart

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BAUHAUS

Choreography - Rotem Weisman

Dancers - Jin Lee, Susanna Ylikoski and Tamar Honig

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BAUHAUS, a contemporary dance piece by an emerging Israeli choreographer Rotem Weissman, explores the desire and love of the body to move. This work celebrates the freedom and beauty of the moving body and conveys the love and passion for dance. The audience is invited to witness a unique creative world full of colour and imagination - a surprising and visceral journey through a rich landscape. The piece full of images and gestures that each one can interpret in a different and personal way. Behind them there is no story, but a movement that fits, feels right and excite.

Premiere -  "because the night" ARGEKULTUR, 27th June 2018  in Salzburg, Austria.

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  December 2018 - Second prize in the international choreography competition – Machol Shalem, Jerusalem, Israel

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Represented in PreformaceTag Festival Salzburg 16 of April 2019 

"GODDESSES, FAREWELL; I SHALL SEE THE SHADE YOU BECAME"

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Choreography – Rotem Weissman

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Goddess, farewell; I shell see the shade you became is a contemporary dance piece Inspired by Prelude to the afternoon of a faun. From its genesis the piece has emerged as an appeal to the original piece of  Nijinsky, During the piece the roles are breaking ,the nymphs and the fauns blend into each other. The piece explores sexuality, desires, pleasures, urge and satisfaction. The references drawn from the poem of Stephane Mallarme, the music from Claude Debussy, Nijinsky's piece and the 3 Muses. 

Dancers - Jadwiga Mordarska , Barbara Eyassu-Vincze, Caterina Campo and Márton Gláser

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YELLOW POETRY

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Choreography – Rotem Weissman
Dancers – Yael Wachman\ Rotem Weissman, Máté Asbót\ Amit Landau and Tamar Honig

Co – Creator – Tamar Hoing 

Original music- Tai Rona 

Costume design  - Mali Aviv 

Contemporary dance piece that comes to challenge the human’s constant need for meaning. Through the arbitrary the work re-examines the concept of meaning and offers various possibilities to address it. The search for meaning within this piece will repeatedly encounter barriers and rebuttal until there is no choice but to devote oneself to the experience itself.

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GENNADI

Gennadi, a contemporary solo by the emerging Israeli choreographer, Rotem Weissman.
The performer Márton Gláser, explores the desire to control and direct the audience. The solo creates dark and intimate atmosphere, filled with invitations, commands, confusion, attention and sensitivity.
The audience is invited to witness a dark and unique world full of mystery and imagination, to be hypnotized by the quality of the body language and by the visceral journey of the dancer.

TEKES

TEKES (Ceremony in Hebrew), presents a new ritual: a new culture of dance and spirit. TEKES is a surreal ceremony, a deep prayer for nothing, an ongoing reincarnation of desires and symbolism. The made – up ceremony is a wish or a need for something to happen or to change, becoming a non-sense salvation and deliverance. 

artists involved-

Choreography and performer – Rotem Weissman

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Co - creator and performer – Raz Mantell

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Dramaturgy, Performance manager - Susanna Yilkoski 

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Gloves – Eda Birthing 

Music editing – Roi Beker

Photography – Lihi Wolff 

WEED

Choreographer and dancer - Rotem Weissman 
Co- creator - Jin Lee
Vocal performer - Inbar Livne Bar - On
Weed, a contemporary dance piece, explores distortion of physical movement through the desire and love of the body to move. The audience are invited to question and bare witness to a surreal journey, and investigate the in-between moments of life and death. Weed emerges through themes of distorted, disconnected, and connected bodies, and concludes with a sense of absence and desolation. The dancers represent live presence, while the smashed body expresses the truth, the reality. Broken down humanity mixed with fondness and attachment from which we all don’t feel excluded. It can create feeling of empathy that can lead to a revelation.

KASKASIM

Choreography - Rotem Weissman 
Dancers - Vivien Piti, Márton Gláser, Imola Kacsó and Máté Asbót

ALL THE POSSIBLE WAYS TO FALL

Choreography – Rotem Weissman 
Dancers – Sam Huczkowski, Jin lee, Stefano De Luca, Margareta Firinger, Chloé Lendormy, Alex Loftex Tesch and Susanna Ylikoski

DU

Dancers: Amit Landau, Tamar Rosenzweig and Rotem Weissman