Choreographic works
Pieces
BAUHAUS
Choreography - Rotem Weisman
Dancers - Jin Lee, Susanna Ylikoski and Tamar Honig
BAUHAUS, a contemporary dance piece by an emerging Israeli choreographer Rotem Weissman, explores the desire and love of the body to move. This work celebrates the freedom and beauty of the moving body and conveys the love and passion for dance. The audience is invited to witness a unique creative world full of colour and imagination - a surprising and visceral journey through a rich landscape. The piece full of images and gestures that each one can interpret in a different and personal way. Behind them there is no story, but a movement that fits, feels right and excite.
Premiere - "because the night" ARGEKULTUR, 27th June 2018 in Salzburg, Austria.
December 2018 - Second prize in the international choreography competition – Machol Shalem, Jerusalem, Israel
Represented in PreformaceTag Festival Salzburg 16 of April 2019
Yellow Poetry
Choreography – Rotem Weissman
Dancers – Yael Wachman, Máté Asbót and Tamar Honig
Co – Creator – Tamar Hoing
Original music- Shemi Dahan and Adam Ocheri
Costume design - Mali Aviv
Contemporary dance piece that comes to challenge the human’s constant need for meaning. Through the arbitrary the work re-examines the concept of meaning and offers various possibilities to address it. The search for meaning within this piece will repeatedly encounter barriers and rebuttal until there is no choice but to devote oneself to the experience itself.
"Goddesses, farewell; I shall see the shade you became"
Inspired by "Prelude to the Afternoon of A Faun"
Choreography – Rotem Weissman
Dancers - Jadwiga Mordarska , Barbara Eyassu-Vincze, Caterina Campo and Márton Gláser
Kaskasim
Choreography - Rotem Weissman
Dancers - Vivien Piti, Márton Gláser, Imola Kacsó and Máté Asbót
Weed
Choreographer and dancer - Rotem Weissman
Co- creator - Jin Lee
Vocal performer - Inbar Livne Bar - On
Gennadi
Gennadi, a contemporary solo by the emerging Israeli choreographer, Rotem Weissman.
The performer Márton Gláser, explores the desire to control and direct the audience. The solo creates dark and intimate atmosphere, filled with invitations, commands, confusion, attention and sensitivity.
The audience is invited to witness a dark and unique world full of mystery and imagination, to be hypnotized by the quality of the body language and by the visceral journey of the dancer.
Princess Tuvstarr
Choreography – Rotem Weissman
Dancers- Sati Veyrunes, Raz Mantell, Jin Lee, Jovana Zelenovic, Dylan Brahim Labiod, Márton Gláser and Imola Kacsó.
Have you ever been in the deep dark forests and seen one of those black strange tarns hidden there? A little bit magical, and almost frightening? All is still, and the trees are growing close and silently. Down by the water the moss is growing, and even further down are some small white flowers, leaning on slender stalks over the water. Suddenly a large elk comes through the trees towards the shore. He stops and gazes at the flowers and the dark depths of the tarn. After a few moments he continues on his path into the forest. If the trees could speak, they would tell the following tale.
A long time ago, Princess Tuvstarr…
All the possible ways to fall
Choreography – Rotem Weissman
Dancers – Sam Huczkowski, Jin lee, Stefano De Luca, Margareta Firinger, Chloé Lendormy, Alex Loftex Tesch and Susanna Ylikoski
Du
Dancers: Amit Landau, Tamar Rosenzweig and Rotem Weissman
Yellow Poetry 0.0
And the woman had spoken
Dancers – Jin Lee, Sam Huczkowski and Rotem Weissman.
The piece was first shown at the Gvanim Dance Festival in 2017 and was performed by five dancers. re-worked the piece into a trio.
physical translation of temptations and withdrawals. the image of the seductive snake in relation to Eve and Adam. The search of the forbidden becomes a parade of shame.
"And the woman had spoken" \ 0.0
Gvanim Dance Festival 2017, Suzanne Dellal Center, Tel Aviv, Israel.
Dancers - Alma Karvat Shemesh, Gil Hacohen, Amit Landau, Tamar Rosenzweig and Rotem Weissman